Eye of the Beholder
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From Publishers WeeklySome books aren"t natural fits for audio. Edgar-winner Ellis"s new novel, for example, has a complex plot that hops back and forth between the arrest, conviction and execution of serial killer Terry Burgos in 1989 and 16 years later when Burgos"s prosecutor, Paul Riley, is drawn into the investigation of a very similar series of murders, involving many of the same characters. Complicating things even more, the contemporary sections jump from Riley"s point of view to that of the demented new killer. Ellis uses chapter breaks, posted dates, italics and a shift from present tense narration to past tense for 1989, efforts that clarify matters in print but are a bit subtle for audio. Even an accomplished and inventive narrator like Dick Hill can only do so much—a pause before announcing a time shift, the use of a distinctive accent for the killer—to keep listener confusion to a minimum. But there"s not much any reader could do with a key ingredient of the novel—the nonsense messages left at the crime scenes that contain a coded text that is near-impossible to distinguish by ear. Hill handles the dramatic sequences and thriller elements effortlessly and if one is willing to overlook several perplexing time-warped moments and the impossibility of deciphering the clues before Riley explains them, this audio provides a fair amount of entertainment. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.--This text refers to an out of print or unavailable edition of this title.Read moreFrom BooklistThe author"s fifth novel (his previous titles include the Edgar-winning Line of Vision, 2001, and the popular In the Company of Liars, 2005) cements his reputation as a top-notch thriller writer. Fifteen years ago, prosecutor Paul Riley made his mark by putting away Terry Burgos, who was inspired by song lyrics to kill six young women in the most gruesome of fashions. Now, a new series of killings bears a frightening similarity to the Burgos murders, and as the victim list keeps growing, Riley realizes the killer seems to be sending a personal message to him. In order to solve the new crimes, Riley, realizing that the connection to the Burgos case is very real, must confront his own past and the terrifying possibility that, 15 years ago, he might have made a terrible mistake. The novel is tightly plotted and sparklingly written, a surefire winner and a fine read-alike for legal thrillers by Philip Margolin and Perri O"Shaughnessy. David PittCopyright © American Library Association. All rights reserved--This text refers to an out of print or unavailable edition of this title.Read moreSee all Editorial Reviews